Thursday, 11 July 2013

Tatting



“Tatting” 
with Karen Negus from Tatting for Spirit

By: Joan Beswick

The art of Karen Negus offers testimony to the power of tatting to transform yarn into beautiful creations, both decorative and functional. 
Apricot Curls Cowl

Karen’s work will be on display at Bella’s Cafe in Amherst beginning in September and continuing through the week of the festival. This exhibit will include examples of needle tatting with yarn in varied fibres, and will undoubtedly be an inspiration to many.
Runner


Shawl

And for those who want to act on that inspiration, Karen will offer instruction during the festival from 1:00 to 4:00 on Thursday, Oct. 17, and from 9:00 to 12:00 noon on Saturday, October 19.  The venue is the Cumberland County Museum, 150 Church Street, Amherst.
Red, Black and White Shawl


Participants will learn:

  • a little history of needle tatting;
  • the important relationship between needle size and thread thickness/gauge;
  • how to make a double stitch and picot;
  • how to read patterns to make chains and rings with double stitches;
  • how to join rings, chains and separate pieces together;
  • how to hide loose ends for a nice clean look; and,
  • how to add thread if you run out.

All instruction can be applied to the traditional tatting needles and fine cotton tatting threads.

To register, contact Karen at tattingforspirit@eastlink.ca . The cost of the workshop is $50 and it includes all necessary supplies:
  • photographic instructions;
  • a pattern for a versatile hexagon; 
  • a handmade tatting needle; and
  • yarn. 
Karen will be there to demonstrate, encourage and inspire. This is a fine opportunity to learn a creative art that combines a kaleidoscope of colours, textures, and shapes to make all sorts of treasures.

Enjoy the workshop, and 'Happy Tatting'.


Friday, 17 May 2013

Spinning

Spinning - Helen Dyer Revives an Ancient Craft
By: Joan Beswick
Helen Dyer Gets Ready for 'Spinning' Class.
If you google ‘spinning’, you’ll find information on bikes and exercise classes. Change the search to ‘spindle spinning’ and you’ll retrieve listings for drop spindles and spinning wheels, the tools of an ancient craft practiced by early societies using whatever fibres were available to them. These fibres could come from animals such as sheep or alpacas, or from plants such as hemp and cotton. Using very basic tools, these fibres were converted into yarns which were then used to make everything from clothing to bedding. Recently, there has been a renewal of interest in this ancient craft, and Helen Dyer of Dorchester is a strong supporter of this revival.
Back in 2004-05, Helen was enjoying her home in Tilting, Fogo Island, Newfoundland. She saw her neighbour shearing sheep and found out that he had no use for the fleece. Being creative, frugal, and in search of a truly authentic form of craftsmanship, Helen took the fleece and invested in a spindle and wheel. Sometime later, she visited a sheep farm in Staffordshire and took a spinning lesson  – and the rest, as they say, is history. Helen is now a spinning savant, a woman on a mission to introduce as many people as possible to this fulfilling and ultimately very practical craft.


 With the numerous yarns available today, some might question why a person would learn to spin. Not Helen – when asked that question, she gives a litany of reasons ranging from the tactile to the spiritual. You learn to spin:

because of the pleasure of handling fibres and learning how they behave;

so that you can make something from scratch;

to maintain a connection with the past;

for the same reason you paint a picture rather than just buying one at the mall;

to hone all aspects of your creativity – both the modern and the primitive;

to create something unique using fibre you have spun, dyed, and shaped – something that is truly one of a kind, a rare feat in these days of mass production;

to relax and enjoy the repetitive movement, the soulful process of creation.

Helen recently taught a class called ‘Spinning through Time” for Tantramar Seniors’ College. She taught her students to ‘spin’ and also introduced them to the diverse spinning tools available today, from a tiny Turkish spindle that can be used when travelling - to a box spinning wheel called a charkha which Gandhi used and promoted to bring peace of mind and self sufficiency to Indian families – to various antique and modern spinning wheels.
Spinning on the Charkha

Three Sizes of Spindles

Carol Oram on the Spinning Wheel
When I visited her class, the room buzzed with lively chatter as Helen went from one student to another demonstrating, supporting, and encouraging, as seen here with student, Judy MacGregor.
It seems a good time was had by all who attended 'Spinning Through Time". Everyone learned to ‘spin’ and went home with the yarns they had spun, ready to move forward with their own unique creations.
Helen will offer a one day spinning workshop during the 2013 Nova Scotia Fibre Arts Festival. Every student will receive a kit that includes a spindle, fibre, and wrist distaff, everything necessary to start. With Helen’s guidance and enthusiasm, all who participate will enjoy a special creative experience, one that connects to the ancient past but is beautifully suited to the present.

Tuesday, 5 March 2013

'Hands in Motion'



'Hands in Motion'
Featured Fibre Artist: Gertie Hollis 
By Joan Beswick

Gertie (in red) and Joan Ralph discuss embroidery stitches.
 
Gertie Hollis delighted and amazed visitors to her embroidery demonstration at festival headquarters. She’s been doing fibre arts for quite some time, and you name it, she can do it - tatting, embroidery (including hardanger), crocheting, hooking, felting, making bobbin lace - and so much more.
Tatting 

Hardanger


Her aunts did needle work, and beginning at an early age, Gertie demonstrated an aptitude as well. And she has continued to refine her skills and learn new techniques. Her hardanger pieces have been grand champions at the Atlantic Winter Fair, and she continues to make lace for dresses, tatted earrings, and crocheted necklaces.
Sample of Tatted Earrings

Sample of Crocheted Necklace

At the demonstration, Gertie chatted amiably with visitors, pointed out stitches in a revered stitchery book she’s had for many years, and moved her hands so quickly it was impossible for the camera to focus on them.
Gertie's 'hands in motion'

‘Hands in motion’, Gertie made it all seem so effortless even though her productivity and creativity are remarkable. Watching her, I was reminded of a quote by PBS interviewer, Charlie Rose, who said that ‘knowing a lot .... is a springboard to creativity’.  Gertie sure does know a lot – and that knowledge inspires her to keep learning, creating, and sharing.  We are so fortunate to be able to learn from her, and we truly appreciate her contribution to the Nova Scotia Fibre Arts Festival.  

Wednesday, 27 February 2013

A Winning Weaving Combo



A Winning Weaving Combo
By: Joan Beswick 
Enthusiasm and energy – the vibes were great in the side room at festival headquarters when Patty Chasse, consummate fibre artist and weaving instructor, introduced me to her star pupil, Jane Jorgensen. Patty is an accomplished weaver who makes fine silk and bamboo scarves and shawls, table linens, towels and other items for the home. She creates all her own designs and is a juried member of the New Brunswick Craft Council, a member of the Atlantic Spinners and Handweavers and the Ontario Handweavers and Spinners. She is also the representative for the Maritimes for both the Handweavers Guild of America and Complex Weavers.

Jane is a nurse who is looking forward to having more time for fibre arts in her upcoming retirement. She is a talented fibre artist who spins and knits and creates comfy and colourful fibre works.

According to Patty, Jane has ‘good hands’, a compliment indeed coming from her accomplished instructor. When I visited, Jane had completed the initial teacher-planned project, and moved on to more ambitious weaving on a four-harness teaching loom, an instrument similar to a loom she has at home. 

Jane attributed her success to Patty’s calm manner, expert knowledge, and the excellent instructional book she created for the class. This book described different types of looms, demonstrated threading and repairing, and offered ‘point by point’ instructions on the process of weaving. 

To this author - a total novice without ‘good hands’ - weaving has always seemed intimidating, both because of the complexity of the skill and the intricacy of the machinery. Jane’s experience suggests that Patty may just be the person to dispel that notion – a skilled weaver who loves her craft and takes great joy in sharing it with others. 


At the 2012 festival, Patti and Jane formed a winning weaving combo and we look forward to seeing them again at the 2013 festival. We also highly recommend a visit to Patty’s studio in Wood Point, N.B.  On Saturday, October 15, from 10:00 a.m. to 5:00 p.m, she will be hosting a ‘Luxury Handwovens Studio Tour’. Those who went last year say it was also a winning weaving combo - the natural beauty of the  setting and Patty’s fabulous fibre artistry – a ‘must do’ for festival goers whatever their craft!



Tuesday, 19 February 2013

Fibre Artistry at The People's Place

Fibre Artistry at The People's Place
By Joan Beswick

The Antigonish Town and County Library houses diverse treasures, those typically associated with modern libraries - print and audio books, videos and DVD’s, magazines and newspapers, computers and classes – and of course, knowledgeable and helpful staff. However, while visiting today, I realized why it is also called ‘the people’s place’ – it is a community centre filled with the works of regional artists and artisans whose creations, both functional and decorative, enliven the space. A walking guide describing these works and their creators is available on-line at www.parl.ns.ca. 

Being a blogger for the Nova Scotia Fibre Arts Festival, I was delighted to find that the library is also a very ‘fibre friendly’ place. 
There is functional fibre artistry –

Fenn Martin’s Sculpted Ceramic Tiles Fireplace Surround


Wooden Study Carrels by Keith Grant


Tables from locally sourced Birds Eye Maple by MacLean Bros. Woodworking.


And there is decorative fibre artistry such as the Heart Quilt exhibited by the Highland Quilt Guild.


A guild member, Dorinda McCully, told me the guild held a celebratory quilt show at the Coady International Institute in July, 2012. The heart is the symbol of their guild and it was their tenth anniversary, hence this very special quilt with creations from members whose names are printed on the chart below showing their individual contributions.



This quilt is a fine piece of decorative fibre art – its beauty is in the thoughtfulness and detail of the individual pieces as well as the enjoyment engendered in those who stop to gaze. 

Saul Bellow once described art as “an arrest of attention in the midst of distraction”. Today, the art at the Antigonish Town and County Library arrested my wandering attention. There were so many worthy creations, only a few of which are mentioned here. On this brief visit, I took particular pleasure in the fibre artistry of Fenn Martin, Keith Grant, and the Highland Quilt Guild. To see the work of those and other regional artists and artisans, stop by the Antigonish Town and County Library or visit on-line at www.parl.ns.ca.

Wednesday, 13 February 2013

 
A Versatile Fibre Artist
and Her 'Grand Grad Trip'
 
By: Joan Beswick
 
Fibre artists come in many varieties, or as they say in the old Newfoundland song, in ‘all sizes and figures’, and many of them are as versatile in what they produce as they are variable in their personnas. And Carol Oram is one such versatile fibre artist.
 
Knitting is Carol’s passion these days. She offered a beginning knitting course at the 2012 festival, and will offer it again at the 2013 festival.

However, knitting is only one of the fibre arts Carol does so well. Over the years, she has made  wonderful rope wreaths


beautiful baskets,


fabulous felted bags,


unique hooked mats and decorative pieces,  
   


and all manner of one-of-a-kind clothing from recycled materials. She has also designed and created quilts for her family, the most recent being a beach-themed quilt for her four-year old grandchild, Libby.

 
Although Carol’s fibre artistry is amazing, it doesn’t define her – she also involves herself in many community activities, dotes on her three children and four grandchildren, and continues to pursue formal education. In May of this year, Carol will graduate from Mount Allison University with a B.Sc. in Psychology, an accomplishment that will complement her previous degrees in arts and education, and serve as testimony to her commitment to life long learning. And to celebrate, Carol plans to do a ‘grad trip’, except in this case, it will be a ‘grand grad trip’ because she’ll be travelling to Cuba with her two granddaughters – 20 year old Mackenzie who is graduating from the pastry chef course at George Brown College in Toronto, and 17 year old Katarina, who is graduating from Three Oaks High School in Summerside, P.E.I.

What better way to celebrate these milestones than to make memories together, and since it is February , to do so amidst sun, sand, and soft breezes! Our congratulations to Carol and her granddaughters – may you travel well, enjoy fully, return safely – and find new inspiration for continued creativity and life long learning!