Festival 2012: 'Hook-In' and 'History of Hooked Rugs'

Festival 2012:  ‘Hook-in’ 

and 

‘History of Hooked Rugs’

By: Joan Beswick

In every organization, on every committee, there are a few individuals who go the extra mile. Their enthusiasm is infectious, their energy boundless, and no task is too formidable. The Nova Scotia Fibre Arts Festival has the good fortune of having such people among their committee members. This past fall, two of these committee members, Lynn O’Brien-Lines and Dianne Bacon, contributed to the organization of a ‘hook-in’ for the last day of the Festival. 

Lynn O'Brien-Lines

Dianne Bacon

In addition to bringing almost a hundred ‘hookers’ together for creative socialization, 

and providing an opportunity to exhibit their wares,

this ‘hook-in’ featured a ‘history of hooked rugs’.  To bring this exhibit to fruition, Lynn and Dianne scoured the region, followed up on stories they’d heard from fellow artisans who hooked together during the year, and made numerous contacts with people they’d never met. The resulting exhibit contained antique rugs, story mats (some with their own histories), hooked portraits, old rug hooking books, vintage patterns, and a collection of antique hooks.

Antique Hooked Rug

Story Mat

Hooked Portrait

Old Rug Hooking Books

Vintage Patterns

Collection of Antique Hooks

 

William Blake described energy as ‘eternal delight’  - the energy donated by Lynn and Dianne in bringing together this exhibit certainly brought delight to many – and it vibrantly illustrated the historical duality of rug hooking, a craft of necessity to warm cold floors and an art form to chronicle the lives of its makers.

The 'history of hooked rugs' exhibit was a highlight of Festival 2012 ... thanks to all who contributed .... and special kudos to Lynn and Dianne for their inspiration and ‘energy’ in bringing it all together!

Arleen Goodwin and 'Some Well-Travelled Quilt Blocks'

Featured Fibre Artist:

Arleen Goodwin and Her Story

of ‘Some Well-travelled Quilt Blocks’

 

By: Joan Beswick 

 

 

Talking with Arleen Goodwin is one of my fondest memories of the 2012 Nova Scotia Fibre Arts Festival.  Arleen did an appliqué demonstration at Dayle’s Department Store, Amherst. An island of serenity - she sat amidst the ribbons, housewares, fabrics, and furniture – quietly and capably appliquéing and explaining the process to visitors on a busy Thursday afternoon in a downtown department store.  

 

Her mother was a quilter and Arleen is also a versatile fibre artist – she does many types of quilting as well as cross stitch, knitting, rug hooking and crocheting – and she has passed her artistry on to her daughter, Shelley Tanner. Some of their family’s creations were featured in the window of Pugsley’s Pharmacy, a collection that included quilts, mats, and a lovely sepia-toned crocheted curtain for a front door window – this collection was a major attraction during the Fibre Arts Walk.  

Another much appreciated contribution was the quilted wall hanging from Arleen’s church in Lorneville, a quilt that Arleen helped bring to life after a multi-generational journey of ‘some well-travelled quilt blocks’.  

 

Here is the story as Arleen told it to me. Many years ago, a young woman from Lorneville went to ‘the Boston states’ to find work. As so often happened in those days, she married, had a family, and lived there the rest of her life. The young woman’s name was Bessie, and she was sorely missed. In 1933-34, some women from the Lorneville area decided to get together and make quilt blocks for Bessie. Each woman embroidered her name on the block she created and they sent Bessie a lovingly crafted collection of quilt blocks. However, life being what it was, Bessie was by then a very busy woman with seven children, and she died without putting the quilt together. The blocks went to her sister in Guysborough, Nova Scotia, and after her death, her daughter (Bessie’s niece) brought the twenty-one blocks to Arleen in Lorneville, to the community where they had been created almost eighty years earlier. Arleen took the blocks to her United Church Women’s (UCW) group where many of the women recognized the signatures of their own forbears – aunts, mothers, and grandmothers - the women who so long ago had missed Bessie and wanted her to remember them. With Arleen and her daughter Shelley’s encouragement, the UCW decided to ‘set the blocks together’. This was a labour of love, carried out amongst recurring waves of nostalgia, many chuckles and much chat. The finished product is now a beautiful wall hanging proudly hung in the Lorneville United Church, and generously loaned to the Nova Scotia Fibre Arts Festival for display during the 2012 festival.       

 

After telling me this story, Arleen mentioned that she’d recently celebrated her 60^th wedding anniversary and on that special occasion, her family had presented her and her husband with a new computer.  So, I’ll be e-mailing Arleen to let her know about this blog post. Although she cherishes traditional fibre arts, Arleen is very much tuned in to the present. She is a busy woman with a large family who continues to create fibre art and who embodies a true appreciation of its history and heritage, as well as its contribution to our lives, both past and present.